5 " Lovers and madmen have such seething brains,Such shaping fantasies, that apprehendMore than cool reason ever comprehends.The lunatic, the lover and the poetAre of imagination all compact:One sees more devils than vast hell can hold,That is, the madman: the lover, all as frantic,Sees Helen's beauty in a brow of Egypt:The poet's eye, in fine frenzy rolling,Doth glance from heaven to earth, from earth to heaven;And as imagination bodies forthThe forms of things unknown, the poet's penTurns them to shapes and gives to airy nothingA local habitation and a name. "
8 " When you look at what C.S. Lewis is saying, his message is so anti-life, so cruel, so unjust. The view that the Narnia books have for the material world is one of almost undisguised contempt. At one point, the old professor says, ‘It’s all in Plato’ — meaning that the physical world we see around us is the crude, shabby, imperfect, second-rate copy of something much better. I want to emphasize the simple physical truth of things, the absolute primacy of the material life, rather than the spiritual or the afterlife.] "
9 " Why should you think that I should woo in scorn?Scorn and derision never come in tears:Look, when I vow, I weep; and vows so born, In their nativity all truth appears.How can these things in me seem scorn to you,Bearing the badge of faith, to prove them true? "
11 " If we shadows have offended, Think but this, and all is mended,That you have but slumbered hereWhile these visions did appear.And this weak and idle theme,No more yielding but a dream,Gentles, do not reprehend:If you pardon, we will mend:And, as I am an honest Puck,If we have unearned luckNow to 'scape the serpent's tongue,We will make amends ere long;Else the Puck a liar call;So, good night unto you all.Give me your hands, if we be friends,And Robin shall restore amends. "
12 " I have had a most rare vision. I have had a dream, past the wit of man to say what dream it was: man is but an ass, if he go about to expound this dream. Methought I was--there is no man can tell what. Methought I was,--and methought I had,--but man is but a patched fool, if he will offer to say what methought I had. The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was. I will get Peter Quince to write a ballad of this dream: it shall be called Bottom's Dream, because it hath no bottom... "
14 " May our land be a land of liberty, the seat of virtue, the asylum of the oppressed, a name and a praise in the whole Earth, until the last shock of time shall bury the empires of the whole world in one common undistinguished ruin! "
16 " If there were a sympathy in choice,War, death, or sickness, did lay siege to it,Making it momentary as a sound,Swift as a shadow, short as any dream,Brief as the lightning in the collied nightThat, in a spleen, unfolds both heaven and earth,And ere a man hath power to say 'Behold!'The jaws of darkness do devour it up;So quick bright things come to confusion. "
19 " HIPPOLYTABut all the story of the night told over,And all their minds transfigured so together,More witnesseth than fancy’s imagesAnd grows to something of great constancy,But, howsoever, strange and admirable. "
20 " You are to be in all things regulated and governed,’ said the gentleman, ‘by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don’t walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don’t find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use,’ said the gentleman, ‘for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste. "