The success of the pairing prompted both acts to record through 1950, producing rhythmically comical fare as "The Woody Woodpecker Song" (based on the bird from the Walter Lantz cartoons and a Billboard hit for the quartet), "Put 'em in a Box, Tie 'em with a Ribbon (And Throw 'em in the Deep Blue Sea)", "The Big Brass Band from Brazil", "It's a Quiet Town (In Crossbone County)", "Amelia Cordelia McHugh (Mc Who?)", "Ching-a-ra-sa-sa", and a duet by Danny and Patty Andrews of "Orange Colored Sky".
A Hawaiian influence is notable in much of Harrison's music, ranging from his slide guitar work on Gone Troppo (1982) to his televised performance of the Cab Calloway standard "Between the Devil and the Deep Blue Sea" on ukulele in 1992.
So now they're caught between the devil and the deep blue sea, and that's the tragedy of the place.… And really what I was trying to do was say exactly that the attraction of the jihad in Kashmir arose out of the activities of the Indian army.
In 1955, Leigh starred in Anatole Litvak's film The Deep Blue Sea;
She threw it into the apple tree
It fell in to the deep blue sea
The fishes got out their dishes
And had scallops and bollocks for tea.
In the 2010s, Weisz continued to star in big-budget films such as the action film The Bourne Legacy (2012) and the fantasy film Oz the Great and Powerful (2013), and garnered critical acclaim for her performances in the independent films The Deep Blue Sea (2011) and The Favourite (2018).
Weisz's 2011 roles included an adaptation of Terence Rattigan's play The Deep Blue Sea, Fernando Meirelles' psychosexual drama 360 opposite Jude Law again and Anthony Hopkins, the BBC espionage thriller Page Eight, and the thriller film Dream House, alongside Daniel Craig.
He wrote The Winslow Boy (1946), The Browning Version (1948), The Deep Blue Sea (1952) and Separate Tables (1954), among many others.
After the war, Rattigan alternated between comedies and dramas, establishing himself as a major playwright: the most successful of which were The Winslow Boy (1946), The Browning Version (1948), The Deep Blue Sea (1952), and Separate Tables (1954).
for example, the repeated claim that Rattigan originally wrote The Deep Blue Sea as a play about male lovers, turned at the last minute into a heterosexual play, is unfounded, though Rattigan said otherwise.
There was a revival of The Deep Blue Sea in 1993, at the Almeida Theatre, London, directed by Karel Reisz and starring Penelope Wilton.
A new screen version of The Deep Blue Sea, directed by Terence Davies, was released in 2011, starring Rachel Weisz and Tom Hiddleston.
His final films included The Man Who Loved Redheads (1955), Three Cases of Murder (1955), A Kid for Two Farthings (1955), The Deep Blue Sea (1955), Summertime (1955), and Storm Over the Nile (1955) a remake of The Four Feathers.
Rock the Bells Records was also responsible for the Deep Blue Sea soundtrack for the 1999 movie of the same name.
She was nominated for Man and Superman (1981), The Secret Rapture (1988), The Deep Blue Sea (1994), John Gabriel Borkman (2008) and The Chalk Garden (2009), before winning the 2015 Olivier Award for Best Actress for Taken at Midnight.
Her choice then was as the suicidal Hester Collyer, who meets a fellow sufferer, Mr. Miller (played by Herbert Berghof), in Terence Rattigan's The Deep Blue Sea.
A critical review of Andersch's "internal émigré" status, his marriage to a German Jew and subsequent divorce in 1943, as well as of his writing, may be read in W.G. Sebald's "Between the Devil and the Deep Blue Sea" attached to his essay On the Natural History of Destruction.
A common modern version is: The scholars Iona and Peter Opie noted that many variants have been recorded, some with additional words such as "... O. U. T. spells out, And out goes she, In the middle of the deep blue sea" or "My mother told me/says to pick the very best one, and that is Y-O-U/you are [not] it";
He directed an adaptation of The Deep Blue Sea (1994) for British TV. In 1995, he directed Moonlight by Harold Pinter with Jason Robards and Blythe Danner.
Her other stage roles include Australian productions of Harvey with Joe E. Brown, Simon and Laura and The Deep Blue Sea with Googie Withers and John McCallum, the lead role opposite Emrys Jones in Double Image, and a featured role with Sir Robert Helpmann in Nude with Violin by Noël Coward.